Hammerle on … “Darkest Hour,” “Star Wars: The Last Jedi”
Bob Hammerle says Gary Oldman delivers an Oscar-worthy performance as Winston Churchill in “Darkest Hour,” while “The Last Jedi” is captivating as the latest “Star Wars” feature.
Bob Hammerle says Gary Oldman delivers an Oscar-worthy performance as Winston Churchill in “Darkest Hour,” while “The Last Jedi” is captivating as the latest “Star Wars” feature.
Recent big-screen releases could be Oscar contenders, Bob Hammerle writes.
Bob Hammerle says films on Jane Goodall and Vincent Van Gogh are poignant and captivating.
“Lucky” is a fitting tribute to a veteran Hollywood star, while “Thor: Ragnarok” raises the bar for Marvel Comics adaptations.
Bob Hammerle reviews two stakly different films and finds something to like in each.
Bob Hammerle says Judi Dench is a royal treat in “Victoria and Abdul,” but finds little to recommend in “Blade Runner 2049.”
The 10-part PBS series is a poignant, historical masterpiece that relives a misguided military adventure that took the lives of more than 58,000 young American men.
Bob Hammerle says ‘Columbus’ is an engaging film set amid the Indiana city’s famous architecture.
Bob Hammerle says “Logan Lucky” is as unique as it is creative.
Bob Hammerle says “Detroit” serves as a dramatic history lesson.
Bob Hammerle says “Dunkirk” teaches you more about an event in World War II than you will ever learn in a textbook.
Bob Hammerle says “The Big Sick” is the best movie of 2017 so far.
Bob Hammerle encourages readers to hunt down “Band Aid” at home when they get a chance.
Bob Hammerle says “It Comes at Night” grabs you by the throat.
Bob Hammerle says “Wonder Woman” is a special film that should not be missed.
Bob Hammerle shares his thoughts on four forgettable films in theaters.
Bob Hammerle says "Guardians of the Galaxy Vol 2." is an enchanting film not to be missed.
Bob Hammerle says the love story in “The Promise” distracts from its powerful theme.
Bob Hammerle loved “The Boss Baby,” and thinks you will too.
Bob Hammerle says “The Shack” felt like an emotional and moral reawakening.